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Wednesday, September 28, 2011
Monday, September 26, 2011
Saturday, September 24, 2011
Rayman-JAVA GAME
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SPIDERMAN-JAVA GAME
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Friday, September 23, 2011
Physcies er vasay prem letter-
Dear "tranjistor,"
Bondu prothome amar 1 gigabite valobasa nio. Jani tumi amar upor petrol enginer moto gorom hoye acho. Rag koro na ami tumake sotti refrigaretorer moto valobasi. Tumake ami eto valobasi je Newton boder gotir sutrer shahajje bekkha kora jabe na. Slaide kaliparser shahajje nirnoy kora jabe na. Tumake na dekle amar shorirer tapmatra eto gorom hoy je kelorimitarer shahajje mapa jabe na. Tai tumake dekte gieyecilam tumar basay. Tumar baba toritrinattokota somporno mouler moto bebohar kore amake tarieye dilen. Tini balber moto jole r bollen jeno ami tumar sathe deka na kori. Deka korle tini amake hydrolik preser moddhe choto kore preser kukare shiddo kore emon choto korben je, tumi amake microschup cara dekte naou paro. Ogo amar tranjistor, tumake dekar asay ami sorol duloke julci. Tumi obbosoi apatobindute 1 flax cha nieye asbe. Na hole ami spring niktir shahajje sucide korbo.
Eti-
Tumar "chumbouk".
ABOUT THE AUTHOR:
DON BROWN, a former U.S. Navy JAG Officer, is the author of Zondervan’s riveting NAVY JUSTICE SERIES, a dynamic storyline chronicling the life and adventures of JAG officer ZACK BREWER. After TREASON, his first novel in the NAVY JUSTICE SERIES, was published to rave reviews in 2005, drawing comparisons to the writing style of John Grisham, Don Brown was named as co-chairman of national I LOVE TO WRITE DAY, an event recognized by the governors of nine states to promote writing throughout the nation, and especially among the nation’s schools. Paying no homage to political correctness, Don's writing style is described as “gripping,” casting an entertaining and educational spin on a wide-range of current issues, from radical Islamic infiltration of the military, to the explosive issue of gays in the military, to the modern day issues of presidential politics in the early 21st Century.
Don graduated from the University of North Carolina in 1982, and after finishing law school, continued his post-graduate studies through the Naval War College, earning the Navy’s nonresident certificate in International Law.
During his five years on active duty in the Navy, Don served in the Pentagon, was published in the Naval Law Review, and was also a recipient of the Navy Achievement Medal, the Navy Commendation Medal, and the National Defense Service Medal.
MISS YOU!!
When I miss you
I feel my self in Pieces.
When I miss you;
Tears fill my Eyes,
...
When I miss you;
I want you close..
When I miss you;
I don't feel like whole..
O My Love;
Please come back,
and complete my soul....!!
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Narnia-JAVA GAME
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Castlevania -JAVA GAME
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Black shark-jAVA GAME
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Asterix and the Vikings
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Thursday, September 22, 2011
Ancestral Bird
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ALICE IN wonderland-JAVA GAME
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FORCERECON -JAVA GAME
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ben10 Omnitrix-java games
Ben10 Omnitrix.jar
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ALEXA EPISODE 2 -JAVA GAME
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SPIDER MAN -JAVA GAME
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WWE CAGE-JAVA GAME
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Wednesday, September 21, 2011
Rs 100 crore at stake for Bollywood this Diwali
NEW DELHI: Close to Rs 100 crore is at stake for Bollywood during the Diwali weekend with two big budget movies, Golmaal 3 and Action Replayy, slated for debut that will set the tone for other significant releases next month.
For cinema theatres that tend to focus on cashing on the maximum during the opening weekend of a movie release, launch of a big film around a major holiday has become crucial for their revenue model. It also dictates fortunes for the Indian film industry that produces the most number of flicks in any single year around the world. “Movie buffs look forward to Diwali and Christmas as big movies are released during this time,” said
trade analyst Taran Adarsh. 
Although, the quantum of money at stake this year is just half of the production budget of the three movies released last Diwali, the industry would be hoping for a better show. While mega budget flick Blue and a mid-sized movie Main Aurr Mrs Khanna sank, another relatively big budget movie, All the Best, was the only one that managed to woo audiences last year.
Shree Ashtavinayak Cine Vision produced Golmaal 3 starring Ajay Devgn , Kareena Kapoor and Arshad Warsi will lock horns with Vipul Shah produced Action Replayy starring Akshay Kumar and Aishwarya Rai Bachchan, for eyeballs. Golmaal 3 is being distributed by Eros International that recently raised money through a public issue of shares and PVR Pictures, a subsidiary of multiplex operator PVR Ltd , will distribute Action Replayy in India.
“We slotted Action Replayy for a Diwali release as it is a fun film and in sync with the festive spirit,” said producer & director Vipul Shah. Kamal Gianchandani, CEO of PVR Pictures said scheduling a film release during Diwali has to do with consumers’ willingness to spend on shopping and entertainment. Both the comedy movies will have wide release with an above average 1,800-2,000 prints with marketing budget of around `7-8 crore each, the same amount used to make a small budget film.
Rupen Amlani, director-marketing & distribution at Shree Ashtavinayak Cine Vision said the company has tied up with several brands for in-film placement and promotional tie-ups. These include Tupperware, Emami and Bagpiper among others. The multiplex industry executives believe if both the movies click with the audience, it could turn out to be one of the biggest weekend grossers for them this year, possibly surpassing the previous best during the Id weekend when Dabangg was released.
Following the two Diwali weekend releases in November, there will be Hrithik Roshan-Aishwarya Rai Bachchan starrer Guzarish besides movie Harry Potter and the Deathly Hallows Part 1 in 3D. December will see Farah Khan’s Tees Maar Khan starring Akshay Kumar.
Tees Maar Khan Movie
A stylish international conman, with loads of attitude.
Director: Farah Khan
Writer: Shirish Kunder
Stars: Akshay Kumar, Katrina Kaif and Akshaye Khanna
Language: Hindi
Genre : Drama / General.
Banner : Shree Ashtavinayak Cinevision Ltd, Hari Om Productions, Three's Company
Release Date : Dec 24 2010
Director: Farah Khan
Writer: Shirish Kunder
Stars: Akshay Kumar, Katrina Kaif and Akshaye Khanna
Language: Hindi
Genre : Drama / General.
Banner : Shree Ashtavinayak Cinevision Ltd, Hari Om Productions, Three's Company
Release Date : Dec 24 2010
After breaking records with Om Shanti Om, Farah Khan is back with Tees Maar Khan starring the hit jodi - Akshay-Katrina. See Trailer Tees Maar Khan is the story of a half Robinhood - a thief who steals from the rich but doesn't give it to the poor. The related stories
Not Aarakshan, Satsang
Sanjay Dutt finishes dubbing for Tees Maar Khan
Akshaye miffed with Farah
wanted criminal is played by Akshay Kumar - a messiah with a twist.
Not Aarakshan, Satsang
Sanjay Dutt finishes dubbing for Tees Maar Khan
Akshaye miffed with Farah
wanted criminal is played by Akshay Kumar - a messiah with a twist.
The film's item girl is none other than the good girl Katrina Kaif who sheds her inhibitions to sizzle as an ultra glam dancer.
With action, comedy, masala and Katrina's shimmying moves, the film is touted as the next blockbuster.
Tees Maar Khan is all set to hit the screens on December 24.
Murder 2 (2011) Music Review
The first instalment of Murder rode high on its musical quotient. As director Mohit Suri brings us the film's second outing, Murder 2, with Emraan Hashmi and Jacqueline Fernandes in the lead roles, all eyes, or ears, perhaps, are on the film's soundtrack, to see whether the film matches up to the original in anyway. With three sets of composers, Harshit Saxena, Sangeet and Siddharth Haldipur and Mithoon, making contributions to the album, it waits to be seen how this multi-pronged musical effort pans out.
The first track on the album is hale dil, which sees reality show vocalist Harshit Saxena moonlight as a composer. The track carries a straightforward pop sound, though built around a catchy melody. Overdosing on Saxena's autotuned vocals for the most part, the number moves ahead with a set of choral harmonies and bears a strong resemblance to the sound of the first Murder soundtrack, especially when Dominique Cerejo's background vocals kick in towards the end. The heavily synthesised original is upstaged by its later acoustic version though, which opens with some very appealing stringwork from Kalyan Barua. Though the track isn't really an acoustic edit, with some very audible electric guitar bits towards the middle, the version has a very interesting, alt-rock rock sound that gives it a captivating feel.
The second track on the album is probably the pick of the set, with Sunidhi Chauhan stepping up to the mic on aa zara. The number, composed and arranged by Sangeet and Siddharth Haldipur, has a menacing theme to its melody and has a very climactic sort of feel, which makes the filmmaker's decision to use it in the film's promos understandable. Sunidhi uses her vocal instrument to full effect here, perfecting the almost Bond-esque sort of singing here. The track is remixed in a version called aa zara (reloaded), where Kiran Kamath rekits the number in a beat-heavy, synth-based edit that clubs and discotheques will find easy to pick up.
Composer Mithoon contributes the lyrics and music, both, to aye khuda. He is also on vocals here, along with Kshitij Tarey and Saim Bhat. The track's middle-eastern feel has a very perceptible Atif Aslam hangover, though it doesn't quite manage the same sort of appeal that the Pakistani singer has. The number's arrangement is rather predictable, the muezzin type background vocals taking centrestage for dramatic effect that never quite takes form. The track's remix by Kiran Kamath goes synth-crazy, loaded up with beats to make it dance-floor friendly.
Mithoon's second entry on the soundtrack is phir mohabbat, a slow track penned by Sayeed Quadri, where the composer recruits Mohd. Irfan, Arijit and Saim Bhat on vocal duties. The track, arranged around some simple string lines, has a quiet sound, and is rather low-key compared to the rest of the stuff here. Unfortunately, though, this contemplative track doesn't really hit the mark, and doesn't offer up anything significantly memorable.
The final original number on the album is the fast-paced tujhko bhulaana, composed by Sangeet and Siddharth Haldipur. The former also takes on the vocals, in a duet with Roshni Baptist. The out-and-out dance number goes big with the syth-rock sound, with Sangeet's vocals backed up by Sukriti and Prakriti Kakar on backing chorus. The track features some interesting guitarwork from Abhilash Phukan, with programmed percussion to keep him company. Still, though the track has a 'loud' sort of melody, an ascending sound, it doesn't quite take off and fails to make a mark.
Overall, the Murder 2 soundtrack is quite a disappointment, especially in light of the fact that the first outing for the film was such a musical success, with few tracks, like aa zara and hale dil, worth remembering here. Perhaps the fault lies with the film's makers, who choose to go with multiple composers for a single album, taking away any chances of the film's soundtrack having a unifying theme. Perhaps, then, Murder 2 makes for a perfect example of how too many cooks spoil the broth...?
Song: Phir Mohabbat - Mohd Irfan, Arijit, Saim
Cast: Emraan Hashmi, Jacqueline Fernandez
Music Directors: Harshit Saxena, Mithoon, Sangeet Haldipur, Siddharth Haldipur
Lyricists: Sayeed Qadri, Kumaar, Mithoon
Label: T-Series
Lyrics of Phir Mohabbat Song
Jab jab tere paas main aaya, ik sukoon mila
Jise main tha bhoolta aaya, woh wajood mila
Jab aaye mausam gham ke, tujhe yaad kiya
Jab sehme tanha pann se, tujhe yaad kiya
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Aisa kyun kar hua, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Jis raah pe, hai ghar tera
Aksar wahan se haan main hoon guzra
Shayad yahin, dil mera haan
Tu mujkho mil jaaye kya pataa
Kya hai yeh silsila, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Kucch bhi nahin, jab darmiyaan
Phir kyun hai dil tere hi khwaab bunta
Chaaha ki de, tujhko bhulaa
Par yeh bhi mumkin ho na saka
Kya hai yeh maamla, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
The first track on the album is hale dil, which sees reality show vocalist Harshit Saxena moonlight as a composer. The track carries a straightforward pop sound, though built around a catchy melody. Overdosing on Saxena's autotuned vocals for the most part, the number moves ahead with a set of choral harmonies and bears a strong resemblance to the sound of the first Murder soundtrack, especially when Dominique Cerejo's background vocals kick in towards the end. The heavily synthesised original is upstaged by its later acoustic version though, which opens with some very appealing stringwork from Kalyan Barua. Though the track isn't really an acoustic edit, with some very audible electric guitar bits towards the middle, the version has a very interesting, alt-rock rock sound that gives it a captivating feel.
The second track on the album is probably the pick of the set, with Sunidhi Chauhan stepping up to the mic on aa zara. The number, composed and arranged by Sangeet and Siddharth Haldipur, has a menacing theme to its melody and has a very climactic sort of feel, which makes the filmmaker's decision to use it in the film's promos understandable. Sunidhi uses her vocal instrument to full effect here, perfecting the almost Bond-esque sort of singing here. The track is remixed in a version called aa zara (reloaded), where Kiran Kamath rekits the number in a beat-heavy, synth-based edit that clubs and discotheques will find easy to pick up.
Composer Mithoon contributes the lyrics and music, both, to aye khuda. He is also on vocals here, along with Kshitij Tarey and Saim Bhat. The track's middle-eastern feel has a very perceptible Atif Aslam hangover, though it doesn't quite manage the same sort of appeal that the Pakistani singer has. The number's arrangement is rather predictable, the muezzin type background vocals taking centrestage for dramatic effect that never quite takes form. The track's remix by Kiran Kamath goes synth-crazy, loaded up with beats to make it dance-floor friendly.
Mithoon's second entry on the soundtrack is phir mohabbat, a slow track penned by Sayeed Quadri, where the composer recruits Mohd. Irfan, Arijit and Saim Bhat on vocal duties. The track, arranged around some simple string lines, has a quiet sound, and is rather low-key compared to the rest of the stuff here. Unfortunately, though, this contemplative track doesn't really hit the mark, and doesn't offer up anything significantly memorable.
The final original number on the album is the fast-paced tujhko bhulaana, composed by Sangeet and Siddharth Haldipur. The former also takes on the vocals, in a duet with Roshni Baptist. The out-and-out dance number goes big with the syth-rock sound, with Sangeet's vocals backed up by Sukriti and Prakriti Kakar on backing chorus. The track features some interesting guitarwork from Abhilash Phukan, with programmed percussion to keep him company. Still, though the track has a 'loud' sort of melody, an ascending sound, it doesn't quite take off and fails to make a mark.
Overall, the Murder 2 soundtrack is quite a disappointment, especially in light of the fact that the first outing for the film was such a musical success, with few tracks, like aa zara and hale dil, worth remembering here. Perhaps the fault lies with the film's makers, who choose to go with multiple composers for a single album, taking away any chances of the film's soundtrack having a unifying theme. Perhaps, then, Murder 2 makes for a perfect example of how too many cooks spoil the broth...?
Song: Phir Mohabbat - Mohd Irfan, Arijit, Saim
Cast: Emraan Hashmi, Jacqueline Fernandez
Music Directors: Harshit Saxena, Mithoon, Sangeet Haldipur, Siddharth Haldipur
Lyricists: Sayeed Qadri, Kumaar, Mithoon
Label: T-Series
Lyrics of Phir Mohabbat Song
Jab jab tere paas main aaya, ik sukoon mila
Jise main tha bhoolta aaya, woh wajood mila
Jab aaye mausam gham ke, tujhe yaad kiya
Jab sehme tanha pann se, tujhe yaad kiya
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Aisa kyun kar hua, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Jis raah pe, hai ghar tera
Aksar wahan se haan main hoon guzra
Shayad yahin, dil mera haan
Tu mujkho mil jaaye kya pataa
Kya hai yeh silsila, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Kucch bhi nahin, jab darmiyaan
Phir kyun hai dil tere hi khwaab bunta
Chaaha ki de, tujhko bhulaa
Par yeh bhi mumkin ho na saka
Kya hai yeh maamla, jaanu na main jaanu na
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
Dil, yenhi ruk ja zara
Phir mohabbat karne chala hai tu
Dil, sambhal ja zara
Phir mohabbat karne chala hai tu
List of highest-grossing Bollywood films throughout history
1,00,00,000
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